Friday, April 20, 2018

Flowers, frills, fru-fru...and horses - Feria de Abril (Seville, Spain)

Next to Semana Santa, the Feria is probably the next biggest thing on every Sevillano’s calendar so we just had to experience it. How could we not?

As soon as the dust settled from Semana Santa celebrations, the energy around town changed from religious devotion to a party city. Stores selling trajes de flamenco and complementos – the flowers, shawls, earrings to accessorise the outfits – were all packed with women meticulously colour matching their ramillete (flowers) and manton (shawls) to their dresses.

At this stage I had made up my mind that I wasn’t going to get all dressed up. The effort (and cost) involved just seemed too much. So I resigned us to the fact that we were going to experience the event as an outsider – dressed up as best we could in our travel wardrobe – not in Flamenco gear. That was until I got a text message a week before Feria: “Muummmmmm, can I pretty please dress up for Feria? I have a friend that has a caseta.”

After all, we were here to experience it. Wasn’t that the whole point? So how could I say no?

That afternoon we trudged to a little shop we had seen months prior knowing they rented out Flamenco dresses. We picked our dresses, shawls, and flowers with the help of Marieta – the shop owner and our ‘stylist’. She showed us how to wear the shawl, how to do our hair, how and where to fasten the flowers. Not on the side, not behind the ear, not at the base of a bun or ponytail. “No! No! No! En otro pais si. Pero no es Sevillana. Sevillana aqui!”, she said quite emphatically when I questioned the position of the flower on top of the head. Ok. On top of the head, three finger spaces back from the hairline it is!

We agreed to come back on Tuesday the following week to pick up our dresses.

The Feria officially opened with the lighting of the arch way at midnight on Saturday, so we excitedly headed over to check it out on Sunday afternoon. The ride on the bus with both women and men getting on the bus all dressed up added to the anticipation. When we got to the fairground I was momentarily stunned into immobility trying to take it all in. The dresses, the flowers, the horses, the flowers on the horses, the bells on the horses, the carriages, the people so close to the huge horses, the horse dung, the horses….

“Kat!!!”, I screamed. She was so keen on capturing photos of everything happening in front of us that she didn’t realise she had walked dangerously close to and was now standing directly behind a horse. All I could see was the horses butt and hind legs coming up to her head. Her life flashed before my eyes. I could see her getting kicked to kingdom come. Kat turned and glared at me “Don’t yell at me!”. “Get out from behind that horse!”, I gritted my teeth to control my nerves and stay as calm as possible (although her version states I wasn’t very calm).

Horses...
...horses...
...and more horses everywhere.
Feeling like a mother in need of Prozac I continued to get overwhelmed by it all. It was all so pretty yet all so… overwhelming. People and horses. People crossing in front of horses. Horses getting restless around people, around all the other horses. Riders trying to control their horses around people. Horses with bells, with flowers, some with carriages, some with single riders, some with pretty ladies riding side-saddle in their Flamenco dresses. We were finally able to pluck the courage to cross the street and steer clear of those horses.


People and horses share the road. It wasn't uncommon to be walking only to 
turn around and find a horses face breathing down behind you.

Ladies ride side-saddle effortlessly.
One of the younger riders confidently takes charge with 
single-handed and side-saddle riding.

Horses decorated for the occasion.

Young girls having fun with their drinks outside 
a caseta as their parents party nearby.

Those frills can hold 'government secrets'. 
A girl reaches inside a hidden pocket within the layer of frills.

Just one of the many pretty dresses
Then there were the pretty lanterns, the beautifully decorated casetas, more horses, the horse dung, the vibrant dresses with all their frills and polkadots, the music, people milling around outside the casetas, people walking around with Manzanilla-filled champagne glasses and plastic jugs and cups filled with rebujito – a popular drink during Feria made with a mixture of Manzanilla, 7-up and huge chunks of ice. We were told this is so they can keep drinking this diluted alcoholic mixture all day and all night without getting too drunk.

We made our way to a public caseta where we found the dancing…everyone dancing the Sevillana in their dresses that accentuate every move of their arms and every swirl. Kids, teenagers, grandmothers…it looked like everyone came out of the womb just knowing how to dance this dance. It looked easy enough yet I wouldn’t dare. I have two left feet at the best of times. I wasn’t going to try this until I had practiced in front of a mirror – and even then - would I even try it at all?!

A group of young girls dancing the Sevillana 
on the sidewalk outside the public caseta.
Photo credit: Kat Matias

Friends we made at the public caseta - Mila and her family - who kindly 
shared their pitcher of rebujito with us. They're from Valencia and 
came to visit for the Feria. She showed me pictures of 
herself and her daughter dressed up for 
Valencia's internationally renowned fiesta 
"Las Fallas" held in mid-March.
We left the fairground early by Sevillano standards – around 8pm (they leave at 8am!) My senses were frayed. I felt frazzled and exhausted. Seven days?? They do this all day and all night for seven days??!

Sure enough, Tuesday came rolling around. We picked up our dresses, spent all afternoon getting ready, and planned to head off to the fairgrounds in the late afternoon. The ‘getting ready’ was part of the fun and dragged out a bit too long over the entire afternoon. The entire apartment was a mess with all our ‘stuff’ but we finally got there. By 5pm we were ready to go!

Precious cargo
Finishing touches and we're almost ready to go.
“Shit!” I said out loud. “How the hell do I board a bus in this dress??” Momentary panic. We’ll figure it out when we get there. Surely I wasn’t the the only one with this problem. Worst case… don’t those buses have they hydraulic thing-a-ma-jigs for wheel chairs? Slightly embarrassing if it had to be used because I couldn’t board the bus in my Flamenco dress. Oh well...
On the way to the bus stop. It's all about the back.
Waiting... and hoping I can lift my leg high enough to get on the bus!
We got to the fairgrounds and made our way to one of the public casetas where we based ourselves (and our feet) for the evening. There was an interesting mix of people. Travellers in jeans watching and joining in the fun trying to learn the Sevillana, locals who preferred to dance the Sevillana, excellent dancers who danced anything but the Sevillana, the group of guys in jeans and t-shirts teaching ladies how to dance the Sevillana, many teenagers dancing with their first loves or high school crushes (or brothers/sisters/cousins??), strangers having dance-offs with each other, more teenagers with their plastic jugs filled with rebujito, the little 7-year old girl in her own world dancing with all the moves to a modern pop song. I had read that the problem with the public casetas is that you can’t really control the mix of people and can get some ‘undesirables’ but I found that’s what made it interesting. It was such an eclectic mix of people that you wouldn’t necessarily get in a private caseta. Of course, you just need to do a bit of ‘public caseta hopping’ to find one where the crowd suits you. One of the earlier ones we visited had a bit of a ‘rough and ready’ feel to it with a child screaming a song into a microphone so we exited pronto.

I felt homesick. If we were born and bred in Seville, I have no doubt the Feria would have been such a fun tradition – especially for kids growing up. Suddenly we missed all our family and friends. Could we see this happening in Australia?? Absolutely not. It seemed like such a weird thing for Australians to get into. The closest thing I can think of is the Royal Easter Show meets Melbourne Cup - on steroids - but even that's not quite right. In the Philippines?? Definitely. There are so many aspects of life here in Seville that remind me of the Philippines, the Feria is just one of them. While there isn’t any single event in the Philippines that comes close to it, I can definitely see it happening there more than I can see it in Australia. Suddenly the isolation of travelling on our own set in. Ah well…moving on.

Andalusia (Seville being its capital) is known for its dancing horses and their dominance in the Feria was obvious with the horses and their riders. Whilst horses weren’t dancing on the streets (although you would occasionally see riders make their horse do a sideward trot), riders in total control of their steer with reigns in one hand and a champagne glass in another showed off their underlying skill.

Riding with one hand is part of a Spanish riding discipline called 
Doma Vaquera - based on traditional cattle herding. 
That leaves the other hand free for a drink of course.
Another single handed rider leaving the reigns to his son - literally.
There was even someone assigned to the task
of keeping the riders 'well hydrated'.
   Just like Semana Santa, not all Sevillanos like the Feria. For some it’s a money pit (agree), for others it’s a lot of pomp and pageantry just ‘for show’ (maybe). Love it or hate it, what is undeniable is that it’s a part of the Sevillano way of life. Families and organisations who have private casetas every year, the public casetas made available for each district to ensure everyone – not just the rich – can enjoy the celebrations, the ladies in their dresses, the horses and their riders (who I suspect and have yet to confirm are from the Royal Andalusian School of Equestrian Art in neighbouring Jerez de la Frontera), the whole community of equestrian lovers including the horsemen/women and their carriages and the mounted police. They all come together during the Feria to represent what Seville (and Andalusia) is all about. For anyone visiting Seville, it’s a great experience – an assault on the senses – but worth every minute. There’s nothing quite like it. Dressing up in Flamenco gear is optional. Many simply go dressed up for a nice evening out (or jeans if you don’t mind sticking out as the tourist).

We left Kat at her friend’s caseta agreeing that she needed to be home by no later than 2am (negotiated down from 3am!). She would catch the bus and John would meet her at the corner of our street so she wouldn’t have to walk that final stretch to the apartment alone. Something I’m not sure I would be comfortable with in Sydney but I feel safe in Seville for some reason – especially during times like Feria and Semana Santa when there are so many people out and about quite late.

We still have 3 days to go of the Feria and we  will be heading back for one last time before it ends – this time I'm going in jeans and sneakers! If that doesn’t give away my tourist status the camera around my neck certainly will.

Here are some more happy snaps in our gear. We weren't about to let the photo ops pass us by given that we are probably never going to wear anything like this again.










Sunday, April 8, 2018

The Spectacle of Semana Santa - Seville, Spain

“Why the obsession with these processions?? You don’t even go to Church.” That was the sentiment coming out of John, the kids and I’m sure many of those who know me.

How can we not? We chose Seville to be our adopted ‘residence’ for our year away so I felt we should at least understand what it means to be a Sevillano. To do that means to understand and experience two things – Semana Santa (Holy Week) and Feria de Abril (April Fair).

In the months prior to Semana Santa we were already getting a ‘feel’ for the city and its culture. It quickly became obvious that religion and religious tradition is a big part of their culture. Several shops selling religious paraphernalia and beautiful dresses for the Catholic Sacraments of Baptism and Holy Communion existed. Practically every street has some kind of church or chapel. We learned that these were called ‘Hermandads’ – religious brotherhoods – fraternity-like associations that one becomes a ‘member’ of by paying an annual fee.

Later, we learned of one of the most popular ones – La Macarena – an image of the Virgin Mary with one of the biggest and most passionate followers. So popular that when we visited her in the Basilica de la Macarena she took pride of place at the altar – not Christ or the crucifix – which admittedly I found a bit unnerving. Also, being situated in the back streets of Seville, the La Macarena procession is the longest procession of the entire Semana Santa lasting 13 hours (from 12 midnight to 1pm) to make it to the Cathedral – and one of the hardest ones to get close to. To see her up close would require you to pick your spot along the procession route at least 2 hours before it was scheduled to arrive.

We also learned that the La Macarena has a ‘rival’ in the form of Esperanza de Triana – another image of the Virgin Mary with a large and equally passionate following as La Macarena – but from across the river in the gypsy neighbourhood of Triana. These two images of the Virgin Mary are the most venerated in Seville and the rivalry between their followers is said to be so strong that it can split families.

So strong that it can split families. That thought stayed with me for a while as I tried to comprehend this. Why?? It goes against the very essence of what Virgin Mary is all about – Isn’t she about love? Compassion? Family?

Then the processions started… and we watched one after the other taking thousands of photos to capture the event. At the same time, I was also soaking up the atmosphere. Trying to understand what makes Semana Santa in Seville the spectacle that it is. Procession after procession, like pieces of a puzzle slowly coming together, I was starting to get a picture of what Semana Santa really means.

After watching 4 days’ worth of processions, watching Nazareno after Nazareno walk by, watching Paso after Paso go by, spending countless hours in the crowds observing and talking to people, waiting for and watching the processions, often times watching the entire procession from the Cruz de Guia (Guiding Cross – the crucifix that marks the start of the procession) down to the cleaning trucks that come at the rear of a procession… Semana Santa is not just about religion. It is SO much more.

It’s kinship.
The whole concept of a Hermandad connotes kinship – a sense of belonging, a community of individuals united with a common purpose. One of their key purposes is to organise events to keep the Catholic religion alive within the community – such as the Semana Santa processions – a mammoth logistical task that takes most of the year.
There were also many other processions we came across prior to Semana Santa. Throughout the Lenten season, there were processions in the streets every weekend – including a ‘Battle of the Bands’ type performance featuring marching bands from the different Hermandads. Needless to say, these Hermandads have quite a visible presence and certain status in Sevillano society.

It’s pride.
Given the profile the Hermandads have in society, being part of one carries with it a sense of pride. Participating in Semana Santa – in whatever role – comes with a sense of pride.

From the time we saw them practicing in the streets weeks before Semana Santa, I took a particular interest in the Costaleros (the men carrying the floats). What would drive a man, along with 35 – 60 others, to bear the weight of a 2 – 2.5 tonne float on the back of their necks, as they walk in coordinated step – with choreography to music – on the cobble stoned streets of Seville practically blindfolded? This task is usually carried out by 2 teams of 35 - 60 men for each float, depending on the size and weight of the float. The teams alternate every 30 – 45 minutes for the duration of what usually is an average of a 10-hour procession to and from the Cathedral.

We were lucky enough to spend a few hours with a Costalero and his family in the sidelines as a procession went through. Little kids aged 4 and 6 caught my eye and, after we had been settled in next to them for about 15 minutes or so, I asked their mother if I could take a photo of her kids. She obliged, one child did not, but that started the conversation with their family. Despite their little English and my horrible Spanish we were still able to communicate.

Their father, standing next to me in his Costalero gear, was part of the relief team for the changeover that was scheduled to take place close to where we were standing. The rest of his Costalero buddies had already crossed the road in anticipation but he chose to stay with his family for as long as possible. We asked him how and where they carry the weight of the float. He showed us exactly where on the headdress of his kids they are meant to rest the metal beam of the float. Then he told us exactly where it needs to sit on the vertebrae you can feel on the back of the neck. We were shocked. I thought it rested on their shoulders somehow! I asked if he iced it after a day of carrying the float. He said no, he takes Ibuprofen!

The first float with Christ had already gone by. After I had taken a video of the float carrying Christ, out of the corner of my eye I noticed that he was standing at attention with hands clasped low in front of him, his body faced towards the float that was now disappearing in the distance down the street while everyone else had gone back to what they were doing before the float arrived. I couldn’t help but admire the reverence that he showed towards the float carrying Christ until it was a respectable distance away. The best way to describe it is similar to the reverence one would give to a flag while singing a national anthem. It was in that moment that I understood why he does what he does.

I asked him if he was going to ‘carry’ that afternoon as the procession from his Hermandad was already in front of us. He signified yes, now. I was confused. Why was he still standing there? Around 30 minutes later the second float carrying the Virgin Mary came into view. He said goodbyes to his family, said his goodbyes to us, and we wished him luck – feeling that he needed every bit of it given he was about to carry that weight on the back of his neck!

There was another procession right after the one we were watching on the same route so we held our places – which was great for me as I was able to get an ‘insider’ view into Semana Santa.

The lady I was talking to (the mother of the kids who I asked to take a picture of and wife of the Costalero) told us that the kids and their father were also Nazarenos the night before for La Macarena – which was a 13-hour procession. So effectively, her husband, the Costalero who had just left us to take his place under the Virgin Mary float, had just come from walking a 13-hour procession the night before and was now here, just 24 hours later, taking his part for the next 8-10 hours carrying a float with Virgin Mary. If that doesn’t give one bragging rights, I don’t know what does.

With this relatively brief encounter with a Costalero and his family, what I understood was that, as an ultimate sign of their devotion to Christ and/or Virgin Mary, it is an honour for them to be able to perform such an important role on such an important occasion for their Cristo (Christ) or Virgen (Virgin). Without the strength, skill and willingness of a Costalero, there would be no Semana Santa. Likewise, for the thousands of Nazarenos, Penitensos, band members, important looking ‘men in black’, and support personnel such as the medical team, water boys, and parents and grandparents who walk alongside their participating kids that all play a part to make this event what it is.

It’s identity.
Participating in such a highlighted event for the city is a symbol of their Sevillano roots. It’s something that seems to be done from one generation to the next. Sevillano kids grow up either watching or participating in these processions – from the kids building ‘wax balls’ to keep them entertained as they wait and watch the processions, to the 3-month old baby carried in the arms of her Nazareno father, to the two kids dressed up as Costaleros just like their dad, to the hundreds of Nazareno kids handing out lollies or little images of their Cristo or Virgen to fellow kids in the crowd.

This event seems to be so ingrained in the Sevillano psyche and way of life that it would be hard to separate one from the other.

It’s family.
Not only is a Hermandad literally a brotherhood of like-minded people but, often, belonging to a Hermandad is passed on from one generation to the next, similar to how which school a child goes or which rugby team a child supports is determined by the generations before them. Grandparents, uncles, aunties, cousins often belonging to a common Hermandad.

Also, with the exception of the processions in La Madrugada which take place from midnight into the early morning of Good Friday, all the processions involved young kids – usually as Nazarenos giving away lollies. The Esperanza de Triana – a procession that lasted 12 hours - had entire families walking together in the streets to provide support during the home stretch crossing the bridge back to Triana – among them a Nazareno father with his wife and baby in a pram walking alongside. Other processions had parents walking alongside their kids providing them with food and drink as they walked or refilling their kids’ or grandkids’ pockets with lollies to hand out to other kids in the crowd.

Entire families watched processions together, many watching and supporting those participating. This meant that the atmosphere during the day had quite a different vibe to it from those late at night. There was almost a party-like, family-friendly atmosphere amongst the crowd despite the sorrowful occasion of Christ’s passion and death. It felt more like a parade down George Street in Sydney than a religious procession. This is what sets the El Silencio procession apart from the rest and made it my favourite – it was the most sombre and solemn procession I thought.

It’s economics.
We had an interesting conversation with a gentleman who was quite passionate about Semana Santa when he offered to share his outdoor table with us at a tapas bar. (Disclaimer: I haven’t verified the truth behind this information but what he said makes sense).

Apparently, each participant in the procession pays a fee to the Hermandad to be able to participate in the Semana Santa procession. So the thousands of Nazarenos and Penitensos not only have to walk for hours, they actually have to pay for the privilege. Why do they need to pay? Because the Hermandad needs to have funds in their coffers to support such an event. With an average of 6-7 processions each day involving hundreds, sometimes thousands of Nazarenos and Penitensos, making their way to the Cathedral and back through tiny streets of Seville, a strict schedule needs to be followed to ensure that all the processions don’t all converge at the same point at the same time. If a procession is not in the designated location as indicated on the schedule, the Hermandad gets fined. If the procession arrives late at the Cathedral, they get fined. If a procession is underway and they encounter rain and need to cancel, they get fined.

As the gentleman shared with us, one year La Macarena and Esperanza de Triana had to stay in the Cathedral due to rain (centuries-old antiques and rain don’t go well together) resulting in both Hermandads having to pay hefty fines.

For someone watching the processions, the fines are great because it almost guarantees that the processions run on time and you can plan where you want to catch them at different parts of the day. This was pretty much the case with all the processions we watched.

Then there’s the matter of contributing to the city services required to host such an event - the clean-up crew, the people that set out and fold chairs in cordoned off key areas before and after each procession, and the extra police force that needs to be brought into the city. This means that the further the distance to travel to and from the Cathedral, the longer the duration of the procession and possibility of delay, therefore the more Nazarenos needed to ensure the available funds.

So behind the religious celebration comes the economic reality. Someone has to foot the bill… and it’s the Nazarenos and Penitensos who seemingly don’t mind getting punished twice (or thrice) for it.

It’s business.
Not only do Nazarenos and Penitensos have to pay for the privilege, but the outfits they wear need to be made at their own expense.

Several weeks prior, we walked into a little shop to enquire about Flamenco dresses. The conversation turned to one about Semana Santa and the Feria and the lady pointed to what would’ve been around 20 full paper bags sitting in a corner of her shop – “Para Semana Santa” (For Semana Santa), she told us. She was a seamstress and had made some of the outfits for Semana Santa. On a separate occasion I noticed a tiled sign outside a shop announcing their service making Nazareno outfits. I thought it was odd that such a business would exist for a single one-week event in the year. At this stage I clearly didn’t understand the scale of Semana Santa processions and wondered why people would have garments specially made for each year’s Semana Santa. I naively thought this was just something borrowed that they would wear – like an acolytes robe at mass.
Do the math – approximately 60 processions between Palm Sunday and Easter Sunday – with an average of 2,000 Nazarenos in each. That’s a lot of outfits that generate a lot of business for these little shops around Seville. Then there are the candles that the Nazarenos hold, the crosses that the Penitensos carry… you start to get the picture that it’s an industry onto itself that supports a lot of small businesses.

During Good Friday and Easter Sunday I was also surprised to see cafes, restaurants, and even some grocery stores open, obviously capitalising on the crowds that each of these processions move around the streets of Seville – and I’m not just referring to the touristy areas around the Cathedral and Real Alcazar. This came as a surprise because in Sydney, a city that is nowhere near as religious as Seville, almost all shops close on either Good Friday or Easter Sunday.

Add to that the more obvious tourism dollars the whole event generates for the city with the influx of millions of people into the city boosting demand for transportation and accommodation, so much so that property owners can charge double their normal rent during this period – as we experienced.

It’s disruptive.
A few of the Sevillanos we’ve made acquaintance with thought we were crazy for wanting to come back during Semana Santa. They would rather leave the city and be at the beach, or catch up on much needed sleep at home. For them there are simply too many people in town, too many processions going on, making it too difficult to move about the city during this time. Our Spanish school had to cancel classes for the full week as they are on one of the main procession routes in the city centre. Businesses along the key routes had to close during the procession hours. So I wasn’t naïve in thinking that all Sevillanos embraced Semana Santa. I knew they found it disruptive and that this sentiment was lurking within the many residents of Sevilla. Unfortunately I had to witness it rear its ugly head first hand during one of the many processions.

During the procession when we were standing beside the Costalero and his family, several people were cutting through where we were standing in order to get to the other side of the street. There was a constant stream of people cutting through us and crossing the street – and the procession – regardless of whether it was moving or not. This was one of the first things that stood out when I saw my first procession. I found it rude to the people in the procession (sometimes carrying heavy crosses) and since this was Day 3 and Procession 552, I was getting annoyed. I could tell that the Spanish lady in front of me who was taking photos was also getting annoyed with the stream of people.  I had had enough.

A lady came up from behind, partly pushing her way through while excusing herself. I moved aside but said “Hay procesíon.” (There’s a procession) - with a tone and gesture as if to say ‘Are you kidding me? You want to cross here in the middle of this??’ motioning to the moving procession in front of me. She ‘mouthed off’ in Spanish – which I understood to be about how, as a local, she should be able to carry on and go about her business and pass when and wherever she wanted to.  She was the local, I was the foreigner in her city, so I kept quiet. Besides, I didn’t have enough Spanish in me to answer back even if I wanted to. The Spanish lady in front of me who was now standing in this lady’s way from crossing said something back to her in Spanish which I understood as ‘You can go about your business but there’s a procession here so go find another way.’ as she continued to take photos and ignore the other lady’s request to pass. WELL… that didn’t go down well, did it? And now it was Spanish vs Spanish. So ‘lady who wanted to pass’ mouthed off again. ‘Lady taking photos’ continued to ignore her. ‘Lady who wanted to pass’ got fed up with being ignored and challenged ‘Lady taking photos’ asking her if she was going to let her pass or was she going to continue to stand in the way of a “Sevillana autentica” (authentic Sevillana). When she didn’t get a response, she barged her way through and continued to cross the procession to the other side in front of walking Nazarenos.

It’s divisive.
The arrogance of the lady using the words Sevillana autentica (authentic Sevillano) stayed with me. Not only because it’s a slap in the face to anyone who is an outsider to the city (which it was), but because by identifying herself as a Sevillana autentica she felt entitled to ignore what was going on in front of her and cross in front of a religious procession of her fellow Sevillano autenticos. And no doubt she is not alone in this sentiment as she was not alone in crossing the procession at any given point. People were even weaving in between the crosses carried by the Penitensos to get from one side to the other (those guys deserved to be whacked in the head with the back of the cross, I thought), one couple going as far as to manoeuvre a pram dodging the walking Nazarenos. I watched in disbelief. Whether people crossing were locals, tourists, students, clueless human beings, who knows – but what was clear was that they all saw their need to get from A to B in the quickest possible way (probably to get to their next procession) as more important than showing a little respect and waiting for a few minutes for a pause in the procession before crossing. In short, I found it selfish and self-centred, but what I thought wasn’t really important.

I turned to the Costalero next to me. “Es normal?” (Is it normal?) I asked gesturing to the people crossing. He confirmed it was because processions can sometimes last several hours (the longest one being 3 hours from the Cruz de Guia - the crucifix that marks the start of the procession – to the last person in the procession), they need to allow people to pass. I asked if it was OK with him (since he was both a Nazareno and Costalero) and he said it was fine, brushing it off as something that he’s quite accustomed to. Then I told him that, as a foreigner, I felt it wasn’t right for them to cross in front of the people during the procession. That they could at least wait for one of the many pauses in the procession when the Nazarenos and Penitensos weren’t walking, and then cut across. He totally agreed that would be the best way but it’s not done. I said it was sentido común (common sense). I went on to say I felt they could at least show un poco respeto (a little respect). After all, I didn’t want him to think that no one respected what they did and that everyone felt like the arrogant ‘Sevillana autentica’ he would’ve witnessed. He and his wife totally agreed but thought that I meant it as a sign of respect to the Cruz (Cross) and Virgen (Virgin), which is true, but I actually meant it as a sign of respect to people like him – their fellow Sevillanos who have either walked or will walk for hours, and the Costaleros who literally risk paralysis by carrying the weight of the floats on their neck. Despite his acceptance of the way things are, he did indicate that it was particularly distasteful to cut in front of the Penitensos carrying the cross because of what they symbolised.

So just as Semana Santa unites Sevillanos with their Hermandads, it equally has the power to divide -  locals vs outsiders; Sevillanos embracing the tradition vs Sevillanos who feel it’s a nuisance; followers of La Macarena vs followers of Esperanza de Triana.

It’s tradition.
Regardless of what one thinks of it - whether one agrees with it or not, whether one is Catholic or not, whether one even understands it - the undeniable fact is that celebration of Semana Santa with processions of grandeur is as ingrained in the Sevillano way of life as Santa Claus and gift-giving is to Christmas.

Similar to how other traditions are preserved, generation after generation kids are born into it and grow up doing the same as the generation before them – quite possibly not even understanding the origin or meaning behind it all. I was surprised to see kids as young as 4 or 5 years old walking through the processions dressed as Nazarenos when in reality Nazarenos are there to repent for their sins. From a Catholic standpoint, to do that would require these kids to be at an age of understanding and consent – this is why all Catholic Sacraments, except Baptism, are delayed until the child is older. So for these kids, the meaning behind the actual tradition is lost and it simply becomes a time to be involved in the activities of their parents, to dress up, walk in the streets like their parent/s, and give away lollies.

The thing that I feel makes the tradition so unique and strong in Seville (and possibly other parts of Andalucia) is the existence of Hermandads and their prominence and, to an extent, power that they have across Sevillano society. One of their ‘reasons for being’ is to keep Catholic traditions alive in society and that they are certainly doing very well.

I wanted to experience and understand Semana Santa in Seville like a true Sevillano – warts and all. While I brought an outsider’s lens to it, I feel like I was still able to achieve that. Chasing procession after procession through all hours of the day and night determined to see them all - an impossible feat I might add – coupled with curious conversations with people ‘in the know’. I’m exhausted, my feet are sore and I can still hear the drums. Can you imagine how the Nazarenos, Penitensos and Costaleros are all feeling?

With every procession I think John was hopeful that I was slowly returning to my Catholic upbringing. Meanwhile, the kids must have thought I had lost my marbles insisting we leave the apartment at 11pm to watch a procession that didn’t start until 1am, only to get caught in a deadlock crowd until 3am, continuing on without them until 5am, then waking them up at 9am asking if they wanted to see another procession. Other times I wondered if I was being a hypocrite wanting to watch these processions given some of my ‘controversial’ views on Catholicism.

In the end, there are only 2 things that matter to me: first, that I have a deeper understanding of what makes Semana Santa in Seville the spectacle that it is and what that means to Sevillanos. In doing that, it is no longer simply a collection of ostentatious floats and creepy looking costumes. Second, that the kids have experienced a different kind of Easter and Holy Week celebration for what it actually represents – the passion, death and resurrection of Christ – not simply the Easter Bunny and chocolate eggs version that they know. What they take out of all of that is entirely up to them.

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